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Showing posts from November, 2020

Getting closer with God

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  An interview with Bhakti Mathur, who has been penning, Amma, Take Me series, introducing her children to various faiths. The interview was published in Sakal Times  Ambika Shaligram Published on :  05 Jan, 2020 , 9:18 am On her trips to India, Bhakti Mathur and her two boys, Shiv and Veer, often visit religious shrines and places of worship. The Hong Kong-based former banker has an agenda up her sleeves — firstly, to introduce her children to the country of their origin and the many festivals and mythology tales that make India a very vibrant and inclusive country. Secondly, the interactions, questions and the introspection that occurs finds its way through the books that Mathur has been writing for her children and other readers their age.  Her first book was Amma Tell Me About Holi! in 2011 and now she is working on a new series — Amma, Take Me — in collaboration with Puffin Books. So far Mathur and her kids visited Golden Temple in Amritsar, the Sri Venkateswara Temple in Tirupat

Surrendering to music

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  This is a book review of The Sixth String of Vilayat Khan, written by Namita Devidayal and published by Context, Westland books Ambika Shaligram Published on :  12 Jan, 2020 , 8:18 am The Sixth String of Vilayat Khan gives us a close look of the man and his whimsical genius. What or who makes a prodigy? Well, god-given talent is one, but there are other factors too — nurturing of that talent, destiny and the artist’s approach to exploring his/her music.  Namita Devidayal, the biographer of brilliant sitarist Ustad Vilayat Khan deconstructs his persona vis-a-vis his contemporary and another brilliant artist, Pt Ravi Shankar.  Those of us who are far removed from the exalted stratosphere of genius musicians, might not be so clued in to their ‘rivalries’ or the disagreements between the fellow artists. But the few tidbits that float into public domain help in creating a ‘perception’ about the artist.  Devidayal, a journalist and musician, explores the image of Ustad Vilayat Khan with me

Let the light in

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  Tanu Shree Singh talks about her book Darkless. The interview was published in Sakal Times Ambika Shaligram Published on :  19 Jan, 2020 , 8:57 am Darkless. If you are in a hurry, you are bound to read and mutter to yourself, Darkness. Let us tell you that it’s a common enough mistake, surrounded as we are by situations that are anger and sorrow inducing. Why blame Ani who is awake one night when the moon shines on and little specks of light dance on the ceiling? In the morning, when the sun peeps in, the boy whispers, ‘It’s dark. Still dark.’ When Nani exclaims that it’s a bright, sunny day, just right for ice cream, Ani keeps quiet. It seems that everything has lost its colour. Why is the boy so dispirited? It’s because Ani is missing his Mumma. ‘I wish she comes home,’ he whispers to Dobby, his dog. And, when he sees the familiar car, Ani rushes inside his home and straight into her arms. Mumma is home, but her hair is gone...She is ill with cancer and that’s why Ani is desolate. 

Taran N Khan’s Shadow City — A Woman Walks Kabul, an intimate portrait of the city

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I spoke with Taran N Khan, who has written a book titled Shadow City. The interview appeared in Sakal Times Ambika Shaligram Published on :  07 Mar, 2020 , 9:54 pm Walking in Kabul is like looking through the kaleidoscope... and as journalist Taran N Khan makes her way through the city’s bazaars, squares, library, bookshop, graveyards, university, and archaeological site, wedding halls, we get intimate with each new image of Kabul. An image which is far removed from the pictures that we co njure up from reading the headlines of a city and a country (Afghanistan) that has seen war, destruction and loss.  Khan’s book, Shadow City — A Woman Walks Kabul, published by Penguin Random House India, doesn’t sidestep from talking about war, Taliban, ISAF and the NATO, but the journalist in her takes the backseat, and the storyteller in her steps up, in ways which empathises with the people and their joys and sorrows and the yen to live.  We get to meet the people who stayed in touch with their k